Xavier Livermon’s research exists at the intersection of popular culture, gender, and sexuality in post-apartheid South Africa and the African Diaspora. He is currently completing a manuscript tentatively entitled Its About Time: Kwaito and the Performance of Freedom that examines post-apartheid youth culture as a series of performances enacted to test the limits of post-apartheid possibility. His second project, tentatively entitled Queer(y)ing Freedom: Construction Black Queer Belonging in South Africa has resulted in a number of published essays in GLQ; Gender, Place, and Culture; and Feminist Studies and examines how black queer South Africans construct forms of cultural and national belonging in a climate where progressive constitutional rights do not always translate in quotidian practice. His research interests include African Cultural Studies, Black Popular Music, Black Performance, Black Queer Studies, HIV/AIDS and African Diaspora Studies.